Author's Note: This book is written in the style of an oral history, a form which requires interviewing a wide variety of witnesses and compiling their testimony. Anytime multiple sources are questioned about a shared experience, it's inevitable for them occasionally to contradict each other. For additional biographies written in this style, please see by George Plimpton, by Jean Stein, and by Brendan Mullen.
Every weekend, in the basements and parking lots of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it’s only the beginning of his plans for revenge on a world where cancer support groups have the corner on human warmth. As the narrator of Fight Club puts it: “If people thought you were dying, they gave you their full attention.” Where does Tyler Durden come from? Why do his violent schemes so capture the troubled, insomniac narrator? What events bring them to the roof of the world’s tallest building, wired to explode in ten minutes? What will the end of the millennium feel like? Readers of Chuck Palahniuk’s brilliantly apocalyptic and unnerving first novel are going to find out.
Bestselling author Chuck Palahniuk channels both Stephen King and John Cheever in this sinister and hilarious short story, straight from the passive-aggressive front lines of modern marriage, where a wife’s frustration, along with the family cat, become weapons of mass destruction.
Madison Spencer, the liveliest and snarkiest dead girl in the universe, continues the afterlife adventure begun in Chuck Palahniuk’s bestseller . Just as that novel brought us a brilliant Hell that only he could imagine, is a dark and twisted apocalyptic vision from this provocative storyteller.
After a Halloween ritual gone awry, Madison finds herself trapped in Purgatory—or, as mortals like you and I know it, Earth. She can see and hear every detail of the world she left behind, yet she’s invisible to everyone who’s still alive. Not only do people look right through her, they right through her as well. The upside is that, no longer subject to physical limitations, she can pass through doors and walls. Her first stop is her parents’ luxurious apartment, where she encounters the ghost of her long-deceased grandmother. For Madison, the encounter triggers memories of the awful summer she spent upstate with Nana Minnie and her grandfather, Papadaddy. As she revisits the painful truth of what transpired over those months (including a disturbing and finally fatal meeting in a rest stop’s fetid men’s room, in which . . . well, never mind), her saga of eternal damnation takes on a new and sinister meaning. Satan has had Madison in his sights from the very beginning: through her and her narcissistic celebrity parents, he plans to engineer an era of eternal damnation. For .
Once again, our unconventional but plucky heroine must face her fears and gather her wits for the battle of a lifetime. Dante Alighieri, watch your back; Chuck Palahniuk is gaining on you.
Injected with new material and special design elements, Invisible Monsters Remix fulfills Chuck Palahniuk's original vision for his 1999 novel, turning a daring satire on beauty and the fashion industry into an even more wildly unique reading experience. Laced in are new chapters of memoir and further scenes with the book's characters. Readers will jump between chapters, reread the book to understand the melding of fact and fiction, and decipher the book's playful page design.
She's a catwalk model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden motor 'accident' leaves her disfigured and incapable of speech, she goes from being the beautiful centre of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from being a real woman, who will teach her that reinventing yourself means erasing your past and making up something better, and that salvation hides in the last place you'll ever want to look.
Genre: Mystery and thrillers
The hyperactive love child of Page Six and Whatever Happened to Baby Jane? caught in a tawdry love triangle with The Fan. Even Kitty Kelly will blush.
Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard-inflected homage to Old Hollywood when Bette Davis and Joan Crawford ruled the roost; a veritable Tourette's syndrome of rat-tat-tat name-dropping, from the A-list to the Z-list; and a merciless send-up of Lillian Hellman's habit of butchering the truth that will have Mary McCarthy cheering from the beyond.
Our Thelma Ritter-ish narrator is Hazie Coogan, who for decades has tended to the outsized needs of Katherine 'Miss Kathie' Kenton – veteran of multiple marriages, career comebacks, and cosmetic surgeries. But danger arrives with gentleman caller Webster Carlton Westward III, who worms his way into Miss Kathie's heart (and boudoir). Hazie discovers that this bounder has already written a celebrity tell-all memoir foretelling Miss Kathie's death in a forthcoming Lillian Hellman-penned musical extravaganza; as the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans – and for posterity.
Tell-All is funny, subversive, and fascinatingly clever. It's wild, it's wicked, it's bold-faced – it's vintage Chuck.
Palahniuk's 10th novel (after Snuff) is a potent if cartoonish cultural satire that succeeds despite its stridently confounding prose. A gang of adolescent terrorists trained by an unspecified totalitarian state (the boys and girls are guided by quotations attributed to Marx, Hitler, Augusto Pinochet, Idi Amin, etc.) infiltrate America as foreign exchange students. Their mission: to bring the nation to its knees through Operation Havoc, an act of mass destruction disguised as a science project. Narrated by skinny 13-year-old Pgymy, the propulsive plot deconstructs American fixtures, among them church (religion propaganda distribution outlet), spelling bees (forced battle to list English alphabet letters) and TV news reporters (Horde scavenger feast at overflowing anus of world history), before moving on to a Columbine-like shooting spree by a closeted kid who has fallen in love with the teenage terrorist who raped him in a shopping mall bathroom. Decoding Palahniuk's characteristically scathing observations is a challenge, as Pygmy's narrative voice is unbound by rules of grammar or structure (a typical sentence: Host father mount altar so stance beside bin empty of water), but perseverance is its own perverse reward in this singular, comic accomplishment.