In a brilliant, nuanced and wholly original collection of essays, the novelist and critic Colm Tóibín explores the relationships of writers to their families and their work.
From Jane Austen’s aunts to Tennessee Williams’s mentally ill sister, the impact of intimate family dynamics can be seen in many of literature’s greatest works. Tóibín, celebrated both for his award-winning fiction and his provocative book reviews and essays, and currently the Mellon Professor in the Humanities at Columbia, traces and interprets those intriguing, eccentric, often twisted family ties in Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, and J. M. Synge and his mother, Tóibín examines a world of relations, richly comic or savage in its implications. In Roddy Doyle’s writing on his parents, Tóibín perceives an Ireland reinvented. From the dreams and nightmares of John Cheever’s journals, Tóibín illuminates this darkly comic misanthrope and his relationship to his wife and his children. “Educating an intellectual woman,” Cheever remarked, “is like letting a rattlesnake into the house.” Acutely perceptive and imbued with rare tenderness and wit, is a fascinating look at writers’ most influential bonds and a secret key to understanding and enjoying their work.
Helen's brother is dying, and with two of his friends she waits for the end in her grandmother's crumbling old house. Her mother and grandmother, after years of strife have come to an uneasy peace. The six of them, from different generations and beliefs, are forced to come to terms with each other.
It is Enniscorthy in the southeast of Ireland in the early 1950s. Eilis Lacey is one among many of her generation who cannot find work at home. Thus when a job is offered in America, it is clear to everyone that she must go. Leaving her family and country, Eilis heads for unfamiliar Brooklyn, and to a crowded boarding house where the landlady's intense scrutiny and the small jealousies of her fellow residents only deepen her isolation.
Slowly, however, the pain of parting is buried beneath the rhythms of her new life – until she begins to realize that she has found a sort of happiness. As she falls in love, news comes from home that forces her back to Enniscorthy, not to the constrictions of her old life, but to new possibilities which conflict deeply with the life she has left behind in Brooklyn.
In the quiet character of Eilis Lacey, Colm Tóibín has created one of fiction's most memorable heroines and in Brooklyn, a luminous novel of devastating power. Tóibín demonstrates once again his astonishing range and that he is a true master of nuanced prose, emotional depth, and narrative virtuosity.