From crime stories in the classic hard-boiled style to the vividly experimental, from the determination of those risking everything to the desperation of those with nothing left to lose, delivers unforgettable tales that capture the city’s dark vitality.
Includes stories by: Joyce Carol Oates, Loren D. Estleman, Craig Holden, P.J. Parrish, Desiree Cooper, Nisi Shawl, M.L. Liebler, Craig Bernier, Joe Boland, Megan Abbott, Dorene O’Brien, Lolita Hernandez, Peter Markus, Roger K. Johnson, Michael Zadoorian, and E.J. Olsen.
The Interior, Lisa See's gripping follow-up to her best-selling novel Flower Net, follows Liu Hulan and David Stark into China 's remote countryside on a heart-pounding journey that begins as a favor to an old friend- and ends with a shocking revelation of murder, betrayal, and greed. After a hit and run accident that leaves a close friend dead, David accepts the job opportunity of a lifetime when he's asked to open a law office for Phillips, MacKenzie Stout in Hulan's home city of Beijing. Meanwhile, Hulan has received an urgent message from an old friend imploring her to investigate the suspicious death of her daughter. The scent of trouble wafts up almost immediately as David and Hulan realize their separate cases have a surprising element in common: the dead girl worked for Knight International, the toy company about to be sold to David's new biggest client, Tartan Enterprises.
In spite of David's protests, Hulan goes undercover, transforming herself from Red Princess to peasant girl, to gain entry into the Knight factory compound. Once inside, rather than finding answers to the girl's death, Hulan unearths more questions, all of which point to possible crimes committed by David's client- ranging from corruption to child labor to unsafe manufacturing practices to far worse. Suddenly Hulan and David find themselves on opposite corners: One of them is trying to expose a company and unearth a killer, while the other is ethically bound to protect his client. Their independent activities collide when a female worker, who gets seriously wounded on the factory floor where Hulan is working, later winds up dead- her body discovered close to where David is finalizing the details of the merger with Knight and Tartan executives.
As the body count rises, the "accidents" and "suicides" begin to look more and more like cold-blooded murders, with the possible suspects ranging from an old peasant farmer to a popular government official to the genius inventor behind Knight International's wildly popular action figure toys. Hulan's trip into the countryside to help piece together clues about her friend's daughter's life brings her back to the past she's long been running from- and forces her to face some ugly truths about herself. At the same time, David sees that his deep desire to overlook the truth- about Hulan's feelings concerning his move to Beijing, about his colleague's death, about his new client's activities- could possibly cost him everything, both professionally and personally.
Deftly weaving her plot from the affluent streets of Los Angeles to the teeming city of Beijing to the primitive culture of China's country villages, Lisa See reveals the striking contrast between Eastern tradition and Western beliefs, the privilege and betrayal of the ruling class, the poverty and desperation of peasant life, and the pull of professional duty and the power of "true heart love." An enthralling story that keeps you guessing until the end, The Interior takes readers deep into the heart of China to reveal universal truths about good and evil, right and wrong- and the sometimes subtle lines that distinguish them.
"Lisa See is one of the classier practitioners of that ready-for-Hollywood genre, the international thrillerÖ She draws her characters (especially her Chinese heroine, Liu Hulan) with convincing depth, and offers up documentary social detail that reeks of freshly raked muckÖ Seeís China is as vivid as Upton Sinclairís Chicago." The New York Times
"[Seeís] true ambition is not simply to entertain (which she does) but to illuminate the exotic society that is contemporary China, and to explore the consequences ‚ present and future ‚ of its growing partnership with the United StatesÖ See paints a fascinating portrait of a complex and enigmatic society, in which nothing is ever quite as it appears, and of the people, peasant and aristocrat alike, who are bound by its subtle strictures." The San Diego Union Tribune
"SophisticatedÖ.Seeís writing is more graceful than is common in the genre, and she still has China passionately observed." The Los Angeles Times
"The Interior is packed with well-researched and nuanced reporting on todayís ChinaÖHulan is an insightful guide to both Chinese corruption and those who resist it." Washington Post
"Immediate, haunting and exquisitely rendered, a fine line drawing of the sights and smells of the road overseas." San Francisco Chronicle
"[An] unflinching portrait [of] modern-day China." Booklist
"The novel eschews any cheap exoticism to plunge the reader into the puzzle that is China today as seen through the eyes of outsiders. A unique read, whose credible protagonists make this a thriller with a heart." The Saturday Review
"A cracking good story." The Good Book Guide
"The strength of Seeís work here is her detailed and intimate knowledge of contemporary China, its mores, its peculiar mixture of the traditional and the contemporary, and its often bedeviled relationships with the U.S. " Publishers Weekly
"A must-read for those looking for foreign intrigue." Rocky Mountain News
"A well-written book with a complex plotÖShines a harsh and revealing light on the modern-day Chinese interior and on Beijing, the real China beneath the postcard imagesÖShe explores themes of Old China and new China, and how the more things change the more they remain the same. She illuminates tradition and change, Western and Eastern cultural differences, and the real politics behind the system. All this in the middle of her thriller which is also about greed, corruption, abuse of the disadvantaged, the desperation of those on the bottom of the food chain, and love." Nashville Tennessean
"A unique readÖa thriller with a heart." The Guardian
On a winter's evening, a trio of unruly teenagers board a bus, ganging up on Luke Murray, hurling abuse and threatening to kill him. The bus is full but no one intervenes until Jason Barnes, a young student, challenges the gang. Luke seizes the chance to run off the bus, but he's followed. Andrew Barnes is dragged from the shower by his wife Valerie: there's a fight in the front garden and Jason's trying to break it up. As Andrew rushes to help, the gang flees. Jason shouts for an ambulance for Luke, but it is he who will pay the ultimate price. Split Second, Cath Staincliffe's insightful and moving novel, explores the impact of violent crime – is it ever right to look the other way?
Cross (kros/ noun, verb, adjective) means an ancient instrument of torture, or, in a very bad humour, or, a punch thrown across an opponent's punch. Jack Taylor brings death and pain to everyone he loves. His only hope of redemption – his surrogate son, Cody – is lying in hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice.
Hannah Smith returns in the stunning new adventure in the New York Times – best-selling series from the author of the Doc Ford novels.
The house is historic, some say haunted. It is also slated to be razed and replaced by condos, unless Hannah Smith can do something about it. She's been hired by a wealthy Palm Beach widow to prove that the house's seller didn't disclose everything he knew about the place when he unloaded it, including its role in a bloody Civil War skirmish (in which two of Hannah's own distant relations had had a part), and the suicides – or were they murders? – of two previous owners.
Hannah sees it as a win-win opportunity: She can stop the condo project while tracking her family history. She doesn't believe in ghosts, anyway. But some things are more dangerous than ghosts. Among them, as she will learn, perhaps fatally, is human obsession.
John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.
Some of the stories in this book have been printed in The New Yorker, Harper's Bazaar, The Atlantic Monthly, Esquire, and Harper's Magazine; some of them have previously been gathered into a volume called Presenting Moonshine (published by the Viking Press, New York, 1941), and a volume called The Devil and All (published by the Nonesuch Press, London, 1934). Witch's Money was published as a separate volume, for private distribution, in December 1940. The Touch of Nutmeg, copyright, 1943, by The Readers Club. "Gavin O'Leary," copyright, 1945, by H. Allen Smith
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